arpeggios

if I started talking about scales and arpeggios and other exciting forms of didactic violin pedagogy.

如果我开始讲音阶和琶音和其他形式的精彩的说教式的小提琴教学法

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Tremolo is not a technique. It is an effect produced when a certain type of arpeggio is employed.

颤音不是一种技巧，只是某种的琶音的表现形式。

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Ms Ott delivered cascading double octaves, arresting chords and keyboard-sweeping arpeggios with great control.

为了诠释这部分的音乐，奥特准确地控制着和弦和琴键，如瀑布倾泻一样向下琶音弹奏两个八度。

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The music evokes the song's name, revolving around three circling and falling piano arpeggios.

旋律照应了歌曲名, 一直围绕着三个重复的钢琴下行琶音.

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Instead, the arpeggios evolve through a succession of gently unexpected harmonies.

相反，和弦在一连串意料不到的轻柔和声中慢慢展开。

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The training and practice of gamut, semi-gamut, arpeggio etc, play an important part in piano teaching.

在钢琴教学中，音阶、半音阶、琶音、属七和减七和弦琶音、双八度以及双三度等这些技术类型的训练占着重要的地位。

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He's such a pseud, with his talk of "lambent harmonies" and "melting arpeggios".

他假充是音乐的行家，说什么“波光闪烁般的和声”、“柔和的琶音”。

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You can shit arpeggios if you like, or string a zither across your navel. I am fucking you, Tania, so that you'll stay fucked.

只要愿意，你可以奏出一串和音急速弹奏，或是在肚脐那儿拴上一只齐特拉琴。

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The introduction presents arpeggios on the harp against a string tremolo--an enchanting sonority.

引子在弦乐的震音上竖琴奏出了琶音，一种迷人的音响。

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On the Practice of Gamut and Arpeggio in Piano Teaching

论钢琴教学中的音阶与琶音练习

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The introduction presents arpeggios on the harp against a string tremolo& an enchanting sonority. This goes for all arpeggio exercises: Never aim for speed.

引子，在弦乐的震音上竖琴奏出了琶音，一种迷人的音响。这是对琶音练习的建议，不要以速度为目标。

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The introduction presents arpeggios on the harp against a string tremolo -- an enchanting sonority.

引子,在弦乐的震音上竖琴奏出了琶音,一种迷人的音响.

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How do I practice arpeggio ( arp.)?

如何练习琶音？

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Marian had'shown him some chords and how to handle basic arpeggios to accompany himself.

玛丽安教给他几种的弦的弹奏一些基本的琶音来为自己伴奏.

英汉文学 - 廊桥遗梦

From the point of view of piano technique we group scales and arpeggios together, since arpeggios are essentially magnified, amplified scales.

从钢琴弹奏法这个观点来看，因为琶音从本质上来说是基础的放大，是放大了的音阶，所在我们将音阶与琶音放到了一起。

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And then he does these real immaculate arpeggios.

但他演奏这真正完美的琶音。

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Marian had' shown him some chords and how to handle basic arpeggios to accompany himself.

玛丽安教给他几种的弦的弹奏一些基本的琶音来为自己伴奏。

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But nothing of the kind happens. Instead, the arpeggios evolve through a succession of gently unexpected harmonies.

但一个这样的音符也没听到。相反，和弦在一连串意料不到的轻柔和声中慢慢展开。

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This goes for all arpeggio exercises: Never aim for speed.

这是对琶音练习的建议,不要以速度为目标.

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