The antithesis of Apollo and Dionysus is sublated and united in tragedies.
悲剧的日神因素和酒神因素这一对立在悲剧中被扬弃而归于统一.
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Nietzsche stated that Greek tragedy generated by the contradiction between Appollo and Dionysus.
希腊神话与中国上古神话中海神形象之比较.
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Highlyamused, Dionysus told him to visit the source of the river Pactolusthere wash himself.
狄俄尼索斯逗弄弥达斯, 开心得很.他叫弥达斯前往帕克托罗斯河的源头,在河里洗个澡.
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Compared with Apollo , Dionysus reveals the eternal originality of arts.
在悲剧中, 酒神因素比之于日神因素,显示为永恒的本原的艺术力量.
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The opposition between Apollo and Dionysus elements is united in tragedy.
悲剧的日神因素和酒神元素这一对立在悲剧中被扬弃而归于统一.
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Dionysus, who had been worrying about Silenus, sent to ask how Midas wished to be rewarded.
狄俄尼索斯一直在为西勒诺斯担心.现在, 他派人问弥达斯有什么,他应该怎样报答他.
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尼采认为,希腊悲剧的主角一直是酒神,他们都是酒神的面具.
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酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴.
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The tragedy is developed form the bacchanal doxology as one part of the fete ceremony of Dionysus.
悲剧作为狄俄尼索斯祭祀仪式的一部分,是由酒神颂歌发展而来的。
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Greek mythology a woman participant in the orgiastic rites of Dionysus.
(希腊神话)参与狄俄尼索斯的狂欢仪式的女人.
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当第一个希腊抒情诗人阿奇洛科斯对吕甘伯斯(Lyoambas)的女儿表示热恋又表示蔑视之时,我们不仅见到他的热情如醉如狂地悸动,我们还见到酒神和他的侍女们,见到酩酊大醉的阿奇洛科斯陶然的睡态,正如欧里庇德斯在“酒神侍者”
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尼采认为人生是恐怖与苦难的深渊,为了逃避生活的重负,人们可以到日神的梦幻世界,也可以到酒神当中去寻找力量。
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