1、

An Analysis of Metafictional Themes in Lost in the Funhouse

《迷失在开心馆》的元小说主题分析

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2、

Analysis of the Postmodernism Narrative Features in Lost in the Funhouse

《迷失在游乐场》中的后现代主义叙事特征

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3、

One may sniff traces of that air in the Funhouse.

也许人们可以在开心屋中闻到这些气息。

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4、

Even so experimental a book as John Barth's Lost in the Funhouse is totally absorbed in the problem of what it would mean to write about yourself.

就算约翰,巴思的《迷失在游乐场》这么一部实验小说,也在专注一个问题,就是写关于自己经历的意义。

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5、

Remember, this whole story takes place under the aegis of his alienation from himself. He's thinking about what he'd like to do in the funhouse.

记住,所有的故事发生在他自己疏离的,状况下,他在考虑在开心馆里他,要做什么。

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6、

Part one is a general introduction to the literary career and literary views of John Barth, with a survey of the content and critical responses to his novel Lost in the Funhouse.

第一部分简要介绍了作者约翰·巴思的文学生涯和文艺思想以及小说《迷失在开心馆》的主要内容和研究状况。

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7、

If you knew your way around in the funhouse like your own bedroom, you could wait until a girl came along and then slip away without ever getting caught, even if her boyfriend was right with her.

如果你在开心馆中跟自己在寝室里一样熟悉门道,你可以等一个姑娘前来,事后溜之大吉,绝不会被人抓住,即使她男朋友就在旁边。

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